coromandal


The merit lie
May 2, 2019, 1:31 pm
Filed under: Uncategorized

Too much belief is a sign of our times, belief in markets, merit, credentials, competition. We think we’re free but we’re trapped in a dark age captured by limiting ideologies, in perpetual struggle against each other, without the skills to free ourselves. One way out is to know the insidious nature of the beliefs that hold us captive. To know that merit for instance is a lie. Worth also to know that it’s a lie that holds us in a system that is damaging to many lives. If you’re on the top you’re smug, if you’re on the bottom you’re in a desperate angry place. Is too much belief part of a consuming feedback loop: belief makes us passive to understand its corrupting nature and to act to free ourselves?

There is no fair way to create a meritocracy. This is because the notion of “merit” is itself loaded with unfair premises. People will always have differing life histories, capacities, and opportunities, and so any assumption that those who “rise to the top” of a competition have superior deservingness will be false. That doesn’t mean that everyone is equally qualified to be a surgeon or a structural engineer or a social worker, or that there should be no evaluations to make sure the people who have certain jobs can do them. Instead, it means that we can never conclude that people got those qualifications did so because they “earned” it more than others, and we should be skeptical of any idea of a “fair competition.”

Admit Everyone, Nathan J Robinson, Current Affairs, March 2018

Advertisements


Mourning and Melancholia
January 26, 2019, 8:09 pm
Filed under: Uncategorized

Melancholia, Lars von Trier

Mourning is remembering the sad event to forget it. Melancholia is the refusal to forget. Depression is a reaction to profound dislocation and loss, you from the world. The depressive is melancholic; she refuses to forget.

We think depressives are generally too negative and wrong. But research shows that though negative their assessments are surprisingly accurate.

They’re right for instance about climate change. They may be the canary, the bell weather we must heed about a dying world, extinction, the anthropocene, the loss that we feel for a dying world.

There’s a substantial literature on “depressive realism”—the suspicion that depressed people are actually right. In one 1979 study by Lauren B. Alloy and Lyn Y. Abramson, it was found that when compared to their nondepressed peers, depressed subjects’ “judgements of contingency were surprisingly accurate.’”

The depressive is, first of all, one who refuses to forget. In Freud’s account, while mourning is the slow release of emotional ties to something that’s vanished, melancholia is a refusal to let go. It’s not just that climate change is depressing; the determination to stop it has to begin from a depressive conviction: to not just forget that so much has been lost and more is going every day—to keep close to memory. Or as Paffard puts it, “You need to hold what’s at stake in your head enough to remember why it’s important to take action.”

Tropical Depressions, Sam Kriss and Ellie Mae O’Hagan, The Baffler



not a natural balance
June 17, 2018, 8:35 pm
Filed under: Uncategorized

Related image

These are myths, which means they’re not true: depression is chemical, and antidepressants restore a natural balance in your brain.

So if depression isn’t chemical … it’s at least partly, if not nearly wholely, social.

“There’s no evidence that there’s a chemical imbalance” in depressed or anxious people’s brains, Professor Joanna Moncrieff – one of the leading experts on this question – explained to me bluntly in her office at the University College of London. The term doesn’t really make any sense, she said: we don’t know what a “chemically balanced” brain would look like. People are told that drugs like antidepressants restore a natural balance to your brain, she said, but it’s not true – they create an artificial state. The whole idea of mental distress being caused simply by a chemical imbalance is “a myth,” she has come to believe, sold to us by the drug companies.

Johann Hari, Lost Connections, p 30



proprium
April 1, 2017, 4:13 pm
Filed under: Uncategorized

Image result for village festival contemporary photography

Proprium means property, and essential characteristic, so, the means you have that is appropriately yours. The means you have that exceeds the essential is inappropriate and alien, accrued by exploitation and accident.

When you have more houses than you or loved ones can live in, more cars than you can drive; more income in a year than can be spent on what you or your family can actually use, even uselessly use; then we are not speak­ing of property anymore, not the proprium, but of the inappropriate and alien—that which one gathers to oneself through the accident of social arrangements, exploiting them willfully or accidentally, and not through the private and the personal.

— Against Everything: On Dishonest Times, Mark Greif

 

From Oxford English Dictionary –
Proprium
NOUN
1. Logic Logic. = “property”.2. Chiefly Theology. An essential attribute of something, a distinctive characteristic; essential nature, selfhood.

Origin

Mid 16th century; earliest use found in Thomas Wilson (d. 1581), humanist and administrator. From classical Latin proprium one’s own property, special feature or property, peculiarity, in post-classical Latin also essential attribute or characteristic, property in logic, use as noun of neuter singular of proprius proper.


where artists lived
July 30, 2016, 2:31 pm
Filed under: Uncategorized

Blanton Museum of Art



the river
July 3, 2016, 1:58 pm
Filed under: Uncategorized



The streets were full of musicians
March 12, 2016, 2:06 pm
Filed under: Uncategorized | Tags: , ,

R. Crumb: music died in 1935, poisoned, stolen, resold, repackaged, neutered and killed by the music business.

In the ’20s in Philly, in every house, people played and sang live music. In the country as a whole there were bands, dance halls, ballrooms, auditoriums and clubs. Radio, the depression, movies and finally TVs killed it. Itunes, streaming are more nails.

“I don’t miss that culture. The America that I missed died in about 1935. That’s why I have all this old stuff, all these old 78 records from that era. It was the golden age of recorded music, before the music business poisoned the people’s music, the same way that ‘agribusiness’ poisoned the very soil of the earth. In the old days, music was produced by common people, the music they produced to entertain themselves. The record industry took it and resold it, repackaged and killed it, spewed it out in a bland, artificial, ersatz version of itself. This goes along with the rise of the mass media, the spread of radio. My mother, born in the 1920s, remembered walking in the street in the summertime in Philadelphia, and in every other house, people were playing some kind of live music. Her parents played music and sang together. In her generation, her brothers didn’t want to play an instrument anymore. It was the swing era and all they wanted to do was to listen to Benny Goodman on the radio. The takeover of radio happened much later. In places like Africa, you can still find great recorded music from the ’50s. I have many 78s from Africa at that time that sound like some great rural music from America in the ’20s. In the U.S at that time there were thousands and thousands of bands, dance halls, ballrooms in hotels, restaurants had dance floors, school auditoriums, clubs in small towns. A small town of 10,000 would have a least a hundred bands. In the mid 30’s radio spread very fast in America and the depression killed a lot of the venues where live music was performed. You could go to the movies for 10 cents. Then in the 50’s TV finished it all off. Mass media makes you stay home, passive. In the 20’s there was live music everywhere in the States. I talked to old musicians who played in dance bands. This old musician bandleader Jack Coackley in San Francisco told me that in 1928 when you went downtown in the evening on the trolley car to play at a ballroom, the streets were full of musicians going to work, carrying instruments in cases. Same thing happened in France with the death of musette, the popular dance music of the working classes. There hasn’t been a decent popular music in America for a long time.”

Robert Crumb Hates You, Jacques Hyzagi, Observer